On my easel - pass #3 working on sky and water
Dauphin Island Sunset
38 1/4 X 11 3/4
Water mixable oil
on masonite
Contemporary Realist working in gouache & watercolor. Sometimes working in acrylic and oil. www.bill-kassel.com
Monday, August 22, 2016
Monday, August 15, 2016
On My Easel - Dauphin Island Sunset
On my easel - blocking in color and shapes - Pass #1
Dauphin Island Sunset
38 1/4 X 11 3/4
Water mixable oil on masonite
Pass #2 defining shapes and color
Dauphin Island Sunset
38 1/4 X 11 3/4
Water mixable oil on masonite
Pass #2 defining shapes and color
Tuesday, August 9, 2016
Prepping hardboard panels (masonite) for oil or acrylic painting
After sanding, wipe down the board with denatured alcohol to remove any sanding debris. Then coat the surface with Kilz (latex stain blocking primer) to make sure nothing bleeds through the gesso.
Apply gesso in horizontal strokes across the panel using a 2”
brush or use a small roller to give an even stippled effect.
Allow to dry and lightly sand if you want a smooth surface. Apply
a second layer of gesso panel at a right angle to the first coat. This will make a slight weave pattern to the
surface. Again you can use a roller.
Allow to dry and sand.
Make sure you use at least 2 coats of gesso because masonite
is highly absorbent and the paints will sink otherwise.
To prevent warping of larger panels you can gesso both
sides. For larger panels I suggest that you glue a wooden support frame on the
back.
I will be starting a new oil painting on a panel I just prepared.I will post progress shots along with some close up detailed pics.
Friday, August 5, 2016
How I layout my palette
Lay out your colors on your palette in this order. On the edge farthest from you, put your white on the left. As a right-handed painter you will have to reach the farthest to get to the white thus reducing the degree of contamination from neighboring colors.
These are the colors I typically use:
Titanium White
Ultramarine Blue
Raw Sienna
Yellow Ochre
Naples Yellow
Cadmium Yellow Medium
Cadmium Red Light
Alizarin Crimson
Burnt Sienna
Burnt Umber
Raw Umber
Veridian Green
Pthalo Green
Then 4 neutral
grays which I mix
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